Claudia Cieri Via Aby Warburg and the Afterlife of Antiquity Morphology and History

Han Lamers Afterlife of Antiquity: Historical Meanderings

Katia Mazzucco Nachlebende, Nachleben – Vehicles of Afterlife in (Some) Images and Words of the Warburg Library

Rebeka Vidrih From Rhetoric to Art – Alberti‘s Theorisation of Visual Arts and Its Political Reason

Doron Bauer Reused Roman Sarcophagi and the Emergence of Romanesque Sculpture in Northern Spain

Romana Rupiewicz The Motion of Celestial Bodies in Medieval Iconography Christian Assimilation of Ancient Cosmology

Fabio Tononi Andrea Mantegna and the Iconography of Mourners – Aby Warburg’s Notion of Pathosformeln and the Theory of Aesthetic Response

Barbara Baert Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510)

Mauro Salis When did Amphitrite Cross the Tyrrhenian Sea? Some Reflections on the Appearance of Grisaille, Myth and the Classical Renaissance Style in the Periphery of the Crown of Aragon

Stephanie Heremans Fritz Saxl as Reader of Aby Warburg’s Sassetti Essay

Simona Drăgan Ancient Survivals, Ingenious Meanings – Iconographic Echoes and Symbols of Dante’s Iphigenia in the Sienese Art of the Early Renaissance

Thodoris Koutsogiannis Ancient Greek Figures in Renaissance Germany via Italy – Cyriacus of Ancona’s Drawings and Their Distorted Perception

Giacomo Montanari From Ciriaco to Sandro – Ancient Greek Cultural and Figurative Models from Pizzecolli’s Travels to Botticelli’s Paintings

Alessandra Galizzi Kroegel From War Hero to Slave to Love – On the Reception of Achilles on Scyros in the Renaissance

Giuseppe Capriottii – Francesca Casamassima Hermaphroditus and Iphis – Texts and Images from two Ovidian Myths to Visualize Sexual Ambiguity in the Early Modern Age

Lasse Hodne The Afterlife of Greece – Warburg’s Nietzschean Critique of Winckelmann

Laura Stagno Roman History Themes for Andrea Doria’s Palazzo del Principe

Filipa Araújo “Love is a fire that burns unseen” – The Reception of Greek Erotic Representations in Alciato’s Emblemata and Camões

Jasenka Gudelj Resemiotization of Eastern Adriatic Antiquities Uses and Abuses of the Ancient Pas

Antun Baće – Maja Zeman Ancient Water-God in the Residences of Early Modern Dubrovnik

Agnieszka Skrodzka Antique Inspirations in the Ideological Programmes of Artworks of King Stanisław August’s Patronage (1764-1795)

Ylva Haidenthaller Adapting Antiquity – References to Classical Literature on Early Modern Swedish Medals

Irena Kraševac Classical Themes as Iconographic Motifs in Historical Allegorical Painting Examples by Gustav Klimt in the Rijeka Municipal Theatre and Ivan Tišov at the University Library in Zagreb

Palma Karković-Takalić Maritime Parnassus and the Iconographic Program of the Main Façade of the Municipal Theatre of Rijeka

Claudio Zambianchi Lost and Found: Archaeological Fragments and Contemporary Art

Rita Ladogana – Ciro Parodo – Marco Giuman ”The Infallible Sign of the Destiny” – Reflections on the Iconography of the Myth of the Foundation of Rome in the Art of the Fascist Era

Roberta Minnucci Heaps of Rags and Double Visions – The Interpretation of the Classical Venus in Arte Povera

Anthi-Danaé Spathoni dyllic, Pastoral and Abstract – Cy Twombly’s Reinvented Arcadia

Karen von Veh Classical Mythology as Satire – The Realities of a ‘New’ South Africa in Diane Victor’s Birth of a Nation Series

Jarosław Janowski Existence and Transience – The Ancient Idea of Number in Conceptual Art

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