COVER | IMPRESSUM | CONTENTS | ABSTRACTS
Danijela Tesić Radovanović – Branka Gugolj Visual Representations of Saint Menas and Saint Thecla: Objects and Sources
Maria Lidova Martyrs, Prophets, Monks: Calendar Icons in the Collection of St Catherine’s Monastery at Sinai (11th-12th Centuries)
Piotr Łukasz Grotowski Saint Nicholas the New Martyr of Vounena and His Two Faces
Barbara Crostini Devotion to Saints as Busts on Pillars: Solving the Enigma of Non-Stylite Stylites in Psalter Vat. gr. 752
Evan A. Gatti The Rotolo con Atti degli apostoli di Vercelli: Acts of the Apostles and the Arts of Imitation
Nicolas Varaine The Rhetoric of Martyrdom: Remarks on a Painted Cycle of Saint Paraskevi’s Martyrdom in Venetian Crete
Ivan Gerát The Anti-Legend: Judas Iscariot in Liber depictus
Jeroen Reyniers An Iconographic Approach to the Study of the Saint Odilia Shrine (1292)
Valentina Živković Sul legno della Croce: Dominican Hagiographic and Iconographic Models in the Formation of the Local Cult of the Blessed Osanna from Kotor
Fernando Gutiérrez Baños “Like a Wolf Takes a Sheep”: The Wall Paintings of the Chapel of St Barbara in the Old Cathedral of Salamanca
Gaetano Curzi The ‘Strange Case’ of the Death of Saint John the Evangelist
John Arblaster Lionizing Jan van Leeuwen († 1378): The ‘Good Cook’ of Groenendaal in Iconography and Hagiography
Emanuele Carletti – Marco Massoni A Difficult Dialogue between Hagiography and Iconography: The Images of the Founders in the Servite Order (13th-16th Centuries)
Andrea-Bianka Znorovszky The Iconography of St Eugenia of Rome in
Medieval Spain and France: Sources, Workshops, and Influences
Elisa Antonietta Daniele – Pamela Gallicchio Visual Forms and Color Palette of Francesca Romana’s Holiness at Tor de’ Specchi in Rome
Iliana Kandzha Visualising the Invisible: Various Understandings of Female Virginity in Late Medieval Images of St Cunigunde
Ana Cristina Sousa Sanctum torquati of Guimarães: The First and Second inventio or the Long Development of a Cult
Bela Zsolt Szakács Inventive Iconography in Remote Village Churches: The Fourteenth-Century Lónya-Group
Saša Potočnjak – Barbara Španjol-Pandelo The Cult of Saint Christopher in the Diocese of Rab: Relic, Hagiography and Iconography
Daniele Sanguineti Beata Limbania: culto e immagine nella Repubblica di Genova
Valentina Borniotto Ancient Relics, New Images and New Saints in Early Modern Genoa
Mihnea Alexandru Mihail The Sacra cintola and Christ’s Side Wound: The Representation of St Francis and St Thomas in the 15th-Century Wall Painting in Mediaș, Transylvania
Elena Firea Visual Strategies in Promoting New Saints in 16th-Century Moldavia
Silvia Marin Barutcieff Warrior, Parent, Martyr: Iconographic Variants and Hagiographic Attributes of Saint Eustathius Placidas in the Wallachian Mural Painting (1650-1815)
Alessandro Cosma Si cui cure sit facere depingi vitam beati Augustini: The ‘New Augustine’ and Jordan of Saxony’s Metrum pro depingenda vita Sancti Augustini
Sanja Cvetnić Saint, Hagiographer and Translator: St Jerome in the Triumphal Heavenly Procession/Translation in Štrigova (Croatia)
Julia Merit van Rosmalen 28-ROSMALEN-Julia-ENGFrom Thaumaturgus to Gift Bringer: The Influence of the Role of Children in Hagiography and Folk Practices on the Iconography of Saint Nicholas
Anne L. Williams Joseph of Nazareth in Sixteenth-Century New Spain: An Elderly Saint and Popular Devotion
Karen von Veh Saint Sebastian Reimagined: Diane Victor’s Gendered Subversion of the Sebastian-Apollo Icon
Nebojsa Tumara “21 Martyrs of Libya”: Presenting Holiness in the Contemporary Coptic Church
Dominic E. Delarue Imitating Christ and the Saints: Katrin Gebbe’s Tore tanzt/Nothing Bad Can Happen (DE 2013) as Hagiographic Narration
Veronika Nela Gašpar – Davor Šimunec Manifestazione visibile dell’invisibile nella tradizione cristiana
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