COVER    |    IMPRESSUM    |    CONTENTS (.PDF)    |    ABSTRACTS (.PDF)

Hanna-Barbara Gerl-Falkovitz: Kultbild oder Andachtsbild? Zu einer bedeutenden Unterscheidung Romano Guardinis

Henrik von Achen: Spirituality as Practice – Turning the Ineffable into Language

Urszula Szulakowska: Death of Christ / Death of the Artist – Slippage of Meaning in Contemporary Performance Art and Photography

Davor Džalto: Screens and Screams – Icons Re-Framed

Yvonne zu Dohna: An Introduction into the Popes’ Hermeneutics of Art – The Theology of the Aesthetic Experience of the “Other” in an Image

Adrienne Gálosi: Discontent in the Gallery and/or in the Church

Judy Peter: The Renaissance – Ideological and Cultural Constructions of Grand Narratives

Karen von Veh: Deconstructing Religion through Art – Wim Botha’s Images of Christ

Juliette Leeb-du Toit: The Ideological and Cultural Function of Biblical Imagery in the Work by South African Artist Azaria Mbatha

Nana Kintz: Spitting Christ – On the Use of Christian Iconography in Salvador Dalì’s Parfois je crache par plaisir sur le portrait de ma mère (1929)

Isabelle von Marschall: Visualizing the Invisible. GRACE – The 3rd Art Prize of the Archdiocese of Freiburg

Nieves Acedo del Barrio: The Religious Paintings of William Congdon and the Problem of Religious Art in Modernism

Vanessa Parent: The Body, Broken for You – Herman Nitsch and the Building of Community

Satenik Vardanyan: The Image of Jesus Christ in the 20th Century and Contemporary Art of Armenia

Daniela Čarná – Richard Gregor: Christian Iconography and Contemporary Art in Slovakia before and after 1989

György E. Szönyi: Enoch – the Modern Apocalyptic Hero. Contemporary Cultural Representations of the Biblical/Apocryphal Patriarch

Igor Glazov: The Russian Icon in the 20th Century – The Canon and the Law

Joanna Wolańska: Between the Romantic Vision of Joris-Karl Huysmans and Scholarly Scrutiny of Émile Mâle – Christian Iconography According to Jan Henryk Rosen (1891–1982)

Rozana Vojvoda: Christian Iconography in Mirko Rački’s Monumental Oil Paintings from 1926 between Demands of the Patron and the Artist’s Choice

Dalibor Prančević – Barbara Vujanović: Ivan Meštrović – Crucifix and the Space of Liturgy

Stefania Biancani: People as New Art Commissioners? Examples of Devotion of Sacred Art in the Salento Region at the Beginning of the Third Millennium

Ivana Podnar: Contemporary Religious Architecture in Zagreb as an Element of Urban Iconography

Jarosław Janowski: Language of Contemporary Art and the Artist’s Experience – Altars of the Holy Sepulchre in St Anna’s Church in Kazimierz Dolny

Cathy Joritz: Nuestra Señora de la Purisima Concepcion – Beyond the Walls of San Jose de Gracia, Trampas, New Mexico

Adrian Stoleriu: Christian Ethical and Aesthetic Dimensions in Contemporary Art

Daniel Zec: Divine Spark or Pistis Sophia

|  IKON 1  |  IKON 2  |  IKON 3  |  IKON 4  |  IKON 5  |  IKON 6  |  IKON 7  |  IKON 8  |  IKON 9  | IKON 10  |   IKON 11   |