COVER | IMPRESSUM | CONTENTS | ABSTRACTS
Rosa Alcoy: Poor Clares, Monarchy and Franciscans in the Chapel of Saint Michael in the Convent in Pedralbes and Beyond
Barbara Baert: Who touched my clothes? The Healing of a Woman with a Flow of Blood Within Text, Image and Taboo in the Visual Culture of the Early Middle Ages
Xavier Barral i Altet: Saint Francis and Innocent III in Assisi – Some Observations on the Franciscan Iconography and the Mission of Evangelisation
Pere Beseran: From Window to Sepulcher – Franciscan Iconography in Catalonia (13th to 14th century)
Stefania Biancani: Facets of Franciscan Iconography in Salento
Adam Jan Błachut: The Scene of the Stigmatization of Saint Francis of Assisi in the Guidelines for Iconography of Altars in Reformed Church in Poland
Milvia Bolatti: Another Image of Gloria – Saint Francis of Montefalco
Constanza Cipollaro: Franciscan Preaching Tradition in Italian Painting of the Thirteenth Century
Roberto Cobianchi: Annotations and Additions to the Iconographic Corpus of Blessed Michele Carcano from Milan – Observant Franciscan Preacher
Simona Cohen: The Animal Triad of Capital Sins in Franciscan Iconography
Donald Cooper: “Love not the World” – Saint Francis as an Alter Christus in Late Medieval Italian Painting
Branislav Cvetković: Franciscans and Medieval Serbia – the Evidence of Art
Sanja Cvetnić: The Painting of Gian Antonio Guardi Return of Holy Family from Temple with Saint Anthony of Padua and Post-Tridentine Iconography in the Ottoman Bosnia
Ivana Čapeta: The Iconography of the Madonna of the Polyptych by Girolamo da Santa Croce in the Franciscan Church on the Island of Košljun
Claudia D’Alberto: Puccio Capanna in the Oratory of Confraternity of Flagellants of San Rufino – An Example of the 14th Century Assisi
Yvonne zu Dohna: Penance of Mary Magdalene – Genesis of Franciscan Iconography
Igor Fisković: The Earliest Representations of St Francis in Southern Croatia
Holly Flora: Empathy and Performative Vision in Oxford Corpus Christi College MS 410
Ivan Gerat: Meeting the Ultimate Friend – Visions and Auditions in the Images of Dying St Francis and St Elisabeth
Petr Hlaváček: The Servants of Antichrist – the Denouncement of Franciscans on the Utraquist (Hussite) Pictures in Jena Codex (Bohemia, Around 1490-1510)
Emanuel Hoško: Origins and influence of the artistic vocabulary in the Croatian Franciscan Province of Saints Cyril and Methodius
Rūta Janonienė: Ideas of Franciscan Observancy in the Wall Paintings of the Church of Sts Francis and Bernardino in Vilnius at the Beginning of the Sixteenth Century
Dalia Klajumienė: The Expression of the Way of the Cross in the Former Churchyard of the Bernardine Ensemble in Tytuvėnai
Marijana Kovačević: St Louis of Toulouse in the Context of Franciscan Iconography on the Portal of St Francis’ Church in Ancona
Vinni Lucherini: Kingship and Iconography in the Franciscan Convent of Santa Chiara in Naples – Christ on Throne in the Chapter House
Xenia Muratova: The Illuminated Bestiaries in the English Franciscan Culture
Andrea Pala: Wooden Crucifix of Nicodemus in Oristano – a Model of Franciscan Iconography in Sardinia
Heinrich Pfeiffer: Some Examples of Franciscan Art and Architecture in Mexico
Ivana Prijatelj Pavičić: Contribution to Research of Altarpieces by Baldassare d’Anna in Franciscan Convents of Dalmatia, Kvarner and Bosnia
Béla Zsolt Szakács: The Fresco Cycle of the Holy Virgin in the Franciscan Church of Keszthely
Xavier John Seubert: Francis of Assisi in the World of Cranach
Alessandro Simbeni: Decoration in Fourteenth Century Apsidal Chapel of San Francesco in Udine
Alessandro Tomei: The Artistic Patronage of Nicholas IV, the First Franciscan Pope
Nicoletta Usai: The Polyptych of Ottana – the Life of Saint Francis on a Painted Panel of the Fourteenth Century
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