COVER | IMPRESSUM | CONTENTS | ABSTRACTS
Davor Džalto: Icons – Between Images and Words. Modes of Representation or Modes of Being?
Alexei Lidov: Iconocity as Spatial Notion – A New Vision of Icons in Contemporary Art Theory
Hieromonk Silouan Justiniano: The Degraded Iconicity of the Icon – The Icon’s Materiality and Mechanical Reproduction
Maria Vassilaki: Painting Icons in Venetian Crete at the Time of the Council of Ferrara/Florence (1438-1439)
Olga Gratziou: From Heaven to Earth – Perceptions of Reality in Icon Painting
Zoraida Demori Staničić: Miraculous Icons in Dalmatia
Maria Cristina Carile: Imperial Icons in Late Antiquity and Byzantium – The Iconic Image of the Emperor Between Representation and Presence
Jelena Erdeljan – Branka Vranešević: Eikōn and magic – Solomon’s Knot on the Floor Mosaic in Herakleia Lynkestis
Maria Lidova: Empress, Virgin, Ecclesia – THe Icon of Santa Maria in Trastevere in the Early Byzantine Context
Ashley Elizabeth Jones: Icons of Power – The Late Antique Imperial Portrait as Image and Amulet
Gaetano Curzi: The Two Triclinia of Pope Leo III as “Icons of Power”
Sotiria Kordi: Corporeal Perceptions of the Immaterial – Agency and Rhythm in Palaeologan Monumental Painting
Donald Ostrowski: The Last Supper in the Illustrated Chronicle Compilation (Litsevoi letopisnyi svod)
Isolde Thyrêt: The Icon as a Medium to Construct a Saint’s Image – The Earliest Icons of Saint Nil Stolbenskii
Snežana Filipova: Examples of Icons with Western Influences in Iconography in the Art of Macedonia – Case Study of the Icon Virgin with Child (inv. no. 81) from the Ohrid Gallery of Icons
Svetlana V. Cheloukhina: The Arkhyz Savior – A Rock-Wall Icon in Nizhnii Arkhyz (Karachay-Cherkessia, Russia)
Dmitriy Antonov: Hair on End – Demons and Sinners in Old Russian Iconography
Valentina Živković: The Deathbed Experience – Icons as Mental Images. Preparations for a Good Death in Late Medieval Kotor (Montenegro)
Michael S. Flier: The Baptism of Christ in Muscovite Iconography – Tradition and Innovation
Giuseppe Capriotti: Defining the Boundaries of the Lawful Cult – History of an Adriatic Icon
Lasse Hodne: Aeiparthenos – Metaphors and Symbols of Virginity in Italian, Dutch and Byzantine Representations of the Annunciation around 1400
Claudia Cieri Via: The Invisible in the Visible – The Annunciation by Antonello da Messina from Narrative to Icon
Deborah Walberg: Tradition and Propaganda in the Venetian Madonna della Pace
Laura Stagno: Embedding Byzantine Icons in Post-Tridentine and Baroque Splendor – Reception and Celebration of Eastern Cult Images in the Republic of Genoa in 16th-18th Centuries
Ana Šeparović: Icons and Croatian Painting in the Early 20th Century
Branka Gugolj — Danijela Tešić-Radovanović: The Žiča Altar Screen Icons
Charlotte Gill: A “Direct Perception of Life” – How the Russian Avant-Garde Utilised the Icon Tradition to Form a Powerful Modern Aesthetic
Elena Ene D-Vasilescu: Twentieth Century Developments in European Icon Painting
Rebeka Vidrih: Iconisation at Work. Malevich’s Black Square the Modern Icon at Tate Modern
Karen von Veh: Contemporary Iconoclasm in South Africa – Transgressive Images of the Madonna and Christ in Response to Social Politics
Amy Singleton Adams: Learning to Look – The Meaning of the Unseen Icon in Dostoevsky’s The Idiot
Yvonne Dohna Schlobitten: La forma dell’immagine – La formazione liturgica
Ding Ning: Re-reading Li Gonglin’s Painting of a Country Retreat(shan-zhuang tu) at Villa I Tatti
Emma Chookaszian: L’image de la Vierge de Misericorde dans les miniatures armeniennes du Roayume de Cilicie du XIIIe siecle – Comparaison avec les icones occidentales et origine du type iconographique
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