COVER | IMPRESSUM | CONTENTS | ABSTRACTS
Claduai Cieri Via Unveiling the Other: Art, Images, and Cultures
Debra Strickland Otherness on the Hereford World Map (c. 1300)
Ivana Čapeta Rakić – Giuseppe Capriotti An Inquiry into the Image of Jews in 15th-Century Istria: The Iconography of the Jewish-Christian Dispute
Nataša Kavčić Otherness in Medieval Document Decoration
Jakov Đorđević Visualising Sexual Otherness in the Late Medieval Eastern Christian Monasteries
Dmitriy Antonov Demonizing the Aggressors: Russian Icons of The Battle of Novgorodians against Suzdalians
Nicolas Kwiatkowski Martyrdom and the Visual Production of Otherness in Europe, 1450-1650
Luis F. Bernabé-Pons Visual (Mis)Representations of Islam and the Prophet Muhammad
Francesco Sorce Mohammed in Rome and Crusades in the Square: Palace Facade in Piazza Capranica in Rome by Polidoro da Caravaggio and Maturino da Firenze
Maria Luisa Ricci Exclude or Convert? The Image of the Muslim Slave in the Iconography of the Vision of St John of Matha in Rome
Laura Stagno – Valentina Borniotto Anachronism at Work: Villains and Enemies as Turks in Early Modern Religious Art in Genoa and Liguria
Marta Battisti “Whoever Belongs to God Hears What God Says” (John 8:47): The Other as Deaf in Two Frescoes by Filippo Lippi and Gualtiero Padovano
Valerija Macan Lukavečki Religious Otherness in Giulio Clovio’s Miniatures
Javier Cuevas del Barrio Iberia – Iconosphere of Religious Otherness: The “Sodomitic Moor” in 16th-Century Spanish Painting
Borja Franco Llopis The Rebellion of the Alpujarras, Virgil, and the Fall of the Giants by Petrus Firens: Cover Art for Historia de las Guerras Civiles de Granada
Olaya Sanfuentes Echeverría Otherness Underfoot: Enemies of Occidental Christian Culture Defeated by the Apostle St James
Özlem Yıldız A Wise Enemy: The Seventeenth-Century Ottoman Portrayal of the Polish Commander Stanisław Żółkiewski
Marilena Pateraki Monumental Management, Landscape Iconography and the “Muslim Other” in Interwar Greece
Veronika Nela Gašpar – Davor Šimunec From Religious Otherness to Universal Fraternity
Maria Bergamo Between Apophatic and Epiphanic: Reflections on the Iconographer and the Artist, from Cretan madonneri to Russian Mystics
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